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More about me: My work tends to shapeshift, becoming whatever form my latest idea demands. I started out as a classical percussionist at nine years old, which was great until I realized I liked bending the rules more than following them. So I moved on to composition, then songwriting, then various forms of electronic music, then sound design for stage arts, and eventually wandered into digital media. I’m also infinitely curious and love learning new things, so if it's creative, chances are I’ve dipped my toes in it.

I usually gravitate toward sound. There’s something direct and instinctual about it. It bypasses logic and speaks straight to emotion, in a way few other mediums do.

I’ve also been doing it forever, so I guess those neural pathways are super jacked now.

But if there’s one thread that runs through all my work, it’s a deep appreciation for silliness. I’m genuinely interested in the dumb, the absurd, and the naive. Partly because it’s fun, and partly because it’s disarming. Wrap a heavy idea in something ridiculous and people don’t see it coming; their guard drops, and suddenly, the message hits harder. It also happens to be a handy way of poking fun at art itself, which (let’s be honest) could use the occasional poke. Life’s too short not to be cheeky.

Feel free to email me at konstantin.aistre@gmail.com if you want to talk about something. All emails are welcome (except for spam).

2001

Award winning writer

Awarded first prize for having written the best short story in _ALL_ of primary school, and received a copy of Roald Dahls Fantastic Mr. Fox, a book I still think is pretty okay.

2007

Origins in DIY music and gigs

Starting the music collective Gluteus Maximus, and putting on a bunch of shows. Years later this culminates in a web of clubs, releases, and record labels. I still put on shows to this day, both official and DIY.

2009

Exhibited painter

Getting an own set of keys to my high school art teachers gallery and studio, after having two of my paintings exhibited at a youth gallery in Berlin.

2009

Meeting Peter Gabriel (almost)

Playing timpani in the orchestra of the Polar Prize ceremony (the year Peter Gabriel is one of the winners), and getting the privilege of saying hello to the back of Peter Gabriel (from 30 meters away).

2009 → 2012

Children’s theatre

Actor and musician in children’s theatres and guided ghost story fairytale tours at Confidencen and Svartsjö Slott. Been a top recommendation in the kids culture section of newspapers more than once.

2010

One of Swedens best street musicians

Winning bronze medal in the Swedish National Championships of Street Music (playing drums on junk, buckets and my moms old frying pan, with my friend Rikard).

2010

Touring with junk drumming

Touring with junk drumming at different ad agency offices in Stockholm, that are in need of entertainment during their kickoffs. We’re young, and dumb, and still don’t know our worth, so we do it almost for free. But at least we could buy new drum sticks.

2011 → 2017

Music and sound design for stage arts and commerce

Scoring a bunch of plays with music and soundscapes, and setting them up with portable touring rigs to be able to control the sound themselves is a fun thing. So is working with foley or podcast jingles and blurbs. I move into more commercial work, because bills are nice to pay.

2013

Personal growth

My computers hard drive dies, and all my poetry and creative writing is lost. I see this as a sign from a higher power that I’m not supposed to be a writer. Yes, at this time I realise for the first time that I’m a huge drama queen.

However, I find that I'm really good with copy and technical writing, something I still do, occasionally.

2013 → present

Studio Lye

Starting a creative digital studio, together with my (now) spouse Mati, that mostly focuses around digital design and development. Today we've worked with some clients you've definitely heard of, and a lot of clients you probably didn't know existed. We work in all fields, but do have a soft spot for culture.


2013

Short film actor

Actor in the short film Konstantin written and directed by Charles Ludvig, a film about my death, and subsequent resurrection as a hamster. The hamster Kerstin has more screen time than me.

2013

Drummer

Hired as a drummer for the provocative post-girlgroup Cupid Kidz. Their biggest hit is called Ganja Poopoo. This was a weird and subversive time.

2015

Personal degrowth

Picking up painting after many years pause, but I don’t feel like a _real_ artist, so I stop. I still have some of these paintings on my walls though (and my mom loves them).

2016

Drummer

Hired as a drummer for Charles Ludvigs band. By this point I haven’t played the drums for three years, but it reignites something in me.

2017

Conceptual dark music

Playimg drums in the doom bossa post rock duo Rymden, hej, where we improvise to old silent films. We play exactly one show, at a venue with a broken projector.

2019

Escape room builder

Hired by The Alley Escape Rooms to build escape rooms, write storylines, design puzzles and work out the marketing. I also have free range access to their workshop.

2019

Kotte Computer Electronics

Learning CAD, and starting designing and 3D-printing my own tiny mechanical 80s inspired keyboards.

2020

Failed cult leader

I play in many bands, one of them is Majorelle Blue. In 2020 we release our second EP, titled Nostalgia Porn. Indie critics dub it “the best Swedish album of the year”, and call us “a cult band, still looking for their cult”.

We're still looking for our cult.

2021 → present

Studio work

The third time I start up a studio, with thoughts of producing, recording and mixing other artists that I find really interesting. I’m currently focusing on short guitar band songs, or long audio art music pieces.

I've also been putting on DIY shows of my own, converting different spaces into makeshift venues, inviting friends and family to play.

2023

Big hype in tiny community

Open sourcing one of my keyboard designs, named batoid. It is featured in specialized blogs, and hyped on tiny niche Discord servers.

2024

Improvised music and stage poetry

Exploring how improvised music can enhance stage poetry as a guest drummer for the house band at the poetry club ”MKT ORD”. I got the comment ”it’s never sounded like this before”. The day after I went to Moderna Museet, where I got recognized and complimented by some of the staff.

2024

On Bandby

Continuing explorations on improvised music and stage poetry as the drummer at a live streamed show organised by NGBG and Loud Numbers with poet Anna Arvidsson at the mic. We are the opening act for the premiere of a 10h sleep music piece.

2025

Unreleased poetry shenanigans

Explorations together with slam poetry champion Ingrid Stenlund. She read a piece about climate angst, I went wild on a drum kit built partially out of trash. Equal parts silly stupid and dead serious.

2025

Keyboard designer

batoid gets released in a limited edition aluminium version, by Chinese small scale manufacturer and fellow enthusiast Niuniu.

2025

Kottegården

Arranging a series of ambient concerts together with Duncan Geere in an allotment garden in the middle of Malmö, where the sounds of the surrounding nature, wildlife, and audience became a part of the soundscape. He insist on calling it Kottegården. I use this name only on CV, because it makes me look good.

2025 → present

s01system

Running a creative tech and music lab together with Duncan Geere, where we explore sound and sustainability, and muck about with a bunch of sound making gadgets. Playing a bunch of live shows, releasing recordings, and publishing open source music tech.

2025

Putting on shows with FAM

FAM is a group that works with bettering the band culture in Malmö. In 2025 I joined and took part in booking, scheduling and arranging two stages at the NGBG festival, and a one day takeover of Loppen in Christiania. Yes, one of my bands where booked. No, I didn’t book us.

2025

Wonderful reviews

Majorelle Blues second EP, titled Nostalgia Porn is featured in Kult Magasin, as “one of the best releases of the decade”.

2025 → 2026

STPLN Lab resident

Artist recidency at STPLN Lab in Malmö, exploring new ground (to me) in the intersection (and fringes) of all the different art forms in my arsenal.

2025 → present

DJ Korvstantin / DJ Bosse Nova

Playing the most high brow of the low brow genres Hammond Lounge, Latin Entertainment, and Easy Listening of the 60s and 70s. Mostly as a palette cleanser between the readings at poetry slams, giving each contestant a clean slate to work from. I always play on discount crate vinyl, always in a suit looking like a used car salesman. The vibe is ”space age bachelor pad”.

2026

Ord och Oktaver

Inspired by ”MKT ORD” in Stockholm, poet Anna Arvidsson and I secured funding to organize a similar series of events in Malmö, featuring poets reading and interacting with improvised music. The premiere will be by the end of the year.